HAND TO HAND
Artistic approach
Frédéric Langevin and Matthieu Larose form a hand to hand duo that graduated from the National Circus School of Montreal in 2024. Their performance is built on the use of bouncing blocks, which allows them to explore a variety of acrobatic movements.
Sharing similar physiques, they blur the lines between the traditional roles of porter and flyer by swapping them, creating a sense of unpredictability that keeps the audience on edge. In their approach, transitions are not pauses but an integral part of the flow, concealing all preparations.
Drawing deep inspiration from physical play and dance, they let movement take the lead, shaping their unique style. One brings spontaneity and a flood of ideas, while the other offers a thoughtful and analytical approach.
The acrobatic blocks
Frédéric and Matthieu began by using regular training mats to gain more height for certain tricks. As they refined their act, they experimented with incorporating the mats in creative ways, leading to a process of trial and error.
Over time, this evolved into the use of inflatable air mats, which allowed for greater versatility in their performances. This progression not only provided new opportunities for exploration but also contributed to the development of their unique acrobatic style, pushing their creative boundaries.
Act teaser - Épreuve synthèse 2024
HOOP DIVING
Artistic approach
Frédéric is drawn to shifting rhythms and the repetition of movements. The combination of blocks and hoops creates a bold visual, blending geometric shapes with human movement.
His creations come to life with the help of maquettes, allowing him to experiment with structure and see his acts from a new perspective. A trick tried during training may spark an idea, and he uses maquettes to determine where it fits within the act or how it can work in a similar setup.
He thrives on both artistic and technical challenges, and when they align, that’s when he feels most fulfilled. For example, in his graduation act, he used stroboscopes during a repeating figure, creating a unique experience where, suspended in mid-air, the performer must trust biomechanics in the dark to avoid knocking the hoops.
The acrobatic blocks
Blocks are integral to Frédéric’s hoop diving, combining technical precision with visual appeal. They allow for dynamic movement, enabling long jumps that lead naturally through the hoop, much like parkour.
This approach frees the artist from depending solely on the hoop, expanding the possibilities within the performance. The use of blocks creates a fluid and engaging sequence, enhancing the choreography with new layers of movement and connection.
The blocks in Frédéric's hoop diving work don't just support jumps; they open up possibilities for dramatic direction changes. While shifts in direction are possible without them, they help transform the traditionally linear act into something distinct.
Act teaser - Épreuve synthèse 2024
